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A Minute With: ‘Shepherd’ actor and director on the horror film

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LONDON, Nov 24 (Reuters) – Tom Hughes stars in British indie horror “Shepherd”, portraying a widower looking for respite from his spouse’s demise by taking a job on a barren Scottish island.

However what first seems as a distant getaway turns right into a terrifying nightmare as Hughes’ character Eric, a shepherd, is haunted by a combination of guilt, paranoia and ghostly apparitions.

Filmed on the Scottish island of Mull, the film premiered ultimately month’s London Movie Competition and hits British cinemas on Friday.

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Reuters spoke to Hughes and director Russell Owen. Under are excerpts, edited for size and readability:

Q: What was the genesis of “Shepherd”?

Owen: “There was a really well-known story off the coast of Wales, the Smalls lighthouse … what I took from that was the isolation and the insanity, then created a personality to occupy that atmospheric scenario.

“… The event of (Eric) was born out of mates that I would recognized had gone by means of melancholy, some had misplaced their lives to it and so I needed to craft one thing that was open-ended so individuals might resolve whether or not he was mad, whether or not he was alive or not, whether or not he was nonetheless on the island.”

Q: What have been the challenges in placing this collectively?

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Owen: “One of many hardest issues is encouraging everybody to go and movie on the far northwest of Scotland in the course of winter, on an island, get a home constructed and a lighthouse, and all types of the insets constructed and whatnot.”

Q: How did you come throughout the undertaking?

Hughes: “I … learn the script and was drawn to it … I discovered the problem thrilling. You do not usually get the chance to helm a movie and try to maintain that story with out anybody to essentially bounce it off … For lots of the movie, it is simply me alone, and that was a problem.”

Q: Did the isolation on Mull play to the strengths of what you needed to convey to the function?

Hughes: “The island was like a manifestation of his inside state. He is nearly conjuring the isolation for himself by going to this island … And so subsequently, by proxy, being the actor enjoying the function, the island carried a weight for me on being there, getting to 5 o’clock, you’ll be able to’t simply go to a restaurant in the course of a metropolis … there might solely be one focus, and that one focus was the movie (and) the character.”

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Reporting by Mike Davidson; Writing by Marie-Louise Gumuchian; Modifying by Alex Richardson

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